inheritance | Seattle Book Mama

3.5 stars rounded upwards.

Road Trip is a new spring romcom novel by prolific author Mary Kay Andrews. My thanks go to NetGalley, St. Martin’s Press, and Macmillan Audio for the invitation to read and review. This book will be available to the public June 2, 2026.

The premise is that two sisters must bury their late mother and deal with her estate. Maeve is the good girl who put her life on hold to care for their mother during her final illness; Therese is an actor, and hasn’t even called home for a good long time. The sisters have become estranged over the years, but now they are back in the home they grew up in. Their mother left behind a painting that she says was done by a famous artist, and should be worth a great deal, but to establish its origin and its worth, they must go on a road trip in Ireland together. In fact, neither of them gets a dime if they don’t! She’s left them very little but the painting itself and some travel money. They aren’t happy about it, but they go.

The first half of this story just about wore me to bits. It seemed formulaic, and I felt like my IQ became lower with every tiresome page. The effect was heightened by the narrator, Kathleen McInerney, whose high-pitched little girl voice grated on me. I reminded myself that I’ve encountered this narrator before while reading the same author, and I eventually got used to her voice, and so I soldiered on, vowing to finish this thing, write my review, and stay away from this author in the future unless I was reading her Christmas novels, which always please me. I promised myself that next time, I’d only use the digital review copy, thereby bypassing the narrator.

But then a funny thing happened in the second half. Gradually I found myself warming to the story—and yes, I became more acclimated to the narrator as well. By the seventy percent mark, I was actively looking forward to it. And this is the reason why I have rounded my rating upwards; I would much rather have a book start out a bit slow and build to something bigger, than to have it start out like gangbusters and then fizzle later on.

I suspect that the author’s faithful readers will like this book just as much as her others; for those not previously initiated, you may enjoy this if you need something on the light and breezy side. It is to those readers that I recommend this story.

TheBathwaterCon Feminists rejoice! Janet Kellough, known for the Thaddeus Lewis mystery series, has cut loose with a genre-bending science fiction mystery novel that’s cleverly conceived, brilliantly written, and funny as hell. I was invited to read it free of charge, courtesy of Edge Publishing and the author.

The story is set in a post-apocalyptic, dystopian world. Women have inherited the Earth, emerging victorious from the Testosterone War, but that was a long time ago. About the only time anyone even thinks about them is in an academic setting, and it wouldn’t even come up now, except that a student from the Men’s Studies field of history has been murdered. Even stranger, the Darmes—the future equivalent of the FBI, perhaps—are hushing it up.

This presents a problem for city police detective Carson MacHenry, who gets the call initially. First she’s told to solve the case; then she’s told not to. And while most of us, in a similar situation, would yield fairly quickly, Carson is disturbed by the skullduggery involved in this whole thing. Who the hell wants a cop to NOT solve a crime, especially a murder? Add to this Carson’s workaholic tendencies since her split with Georgie; home is too damn lonely, and a meaty case like this one is far more alluring than returning to her cat and her empty home.

Given the setting, which is more disorienting than it seems on the surface, it’s helpful that Kellough soft-pedals the invented language and coding that many science fiction and fantasy writers favor, keeping it minimal so that we are not scrambling to catch up with a complex plot.

Carson is assigned a rookie partner, an annoying, punctilious young cop named Susan Nguyen. In order to pursue the investigation she’s been warned away from, Carson sends her hapless partner off on one snipe hunt after another, and from about the halfway mark I found myself waiting for the other shoe to drop, because there’s no way that’s all there is to Nguyen. And of course I am not going to tell you how this aspect plays out, but it’s hilarious.

There are deeper issues lurking beneath the surface here, issues of philosophy and ethics related to genetics, research, and science. In addition, even the most die-hard feminist readers will catch themselves assuming, at some point, that one or more characters are male, even though we have been told everyone is female. Back in the day we called this consciousness raising; you can call it anything you want to now, but it is bound to make you think harder.

At bottom, though, the voice is what makes this a terrific read rather than merely a good one. The wry humor and side bits are so engaging that I was sorry to see the story end. I laughed out loud more than once.

Those that love strong fiction and lean to the left should get this book. Fans of police procedurals, science fiction, LGTB fiction and above all, smart stories written with great, droll humor have to read it too. It’s for sale now at about the price you’d ordinarily pay for a used book. Go get it.