Waco Rising, by Kevin Cook*****

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Waco is a disaster that will be remembered for a very long time, one of the most egregious uses of excessive force against a group of people in the history of the United States. Kevin Cook’s new book, Waco Rising, is well researched and documented, yet is also written in a way that is accessible to a general audience. My thanks go to Net Galley and Henry Holt for the review copy. This book is for sale now.

The religious compound at Waco was headed by the charismatic David Koresh, and Cook takes us there, through the evolution of this sect, various splits and skirmishes among the faithful, and its final structure. Unlike many cults and other religious offshoots, this one was largely middle class, and numerous members brought their assets into the group. But the most distinctive aspect of it, compared to other such oddball organizations, was its fondness for munitions. The compound at Waco was armed to the teeth.

Koresh’s organization drew the attention of the Federal government when a disaffected former member leaked the news that Koresh was practicing polygamy—nobody else, just him—and that many of his wives were children:

“One Davidian remembered [Koresh] ‘approaching Michele in the dead of night.’ The word “approaching” was a euphemism. Describing the encounter later as if he found it amusing, [Koresh] told some of the men that he’d invited Michele, who had recently celebrated her twelfth birthday, into his bed “to get warm.” When he tried to pull down her underwear, she resisted. He kept going, he said, because God told him to.”

Initially, the ATF (Bureau of Alcohol, Tobacco, Firearms and Explosives) saw this situation as an opportunity to redeem themselves after the debacle at Ruby Ridge. This time, they would get it right, rescue the little girls, and their reputation would be restored. It didn’t shake out that way. The ATF, and eventually the FBI and the armed forces were deployed, surrounding the Davidians from the land and even the air in a siege of fifty-one days. When it was over, the compound was a smoldering ruin, and seventy-six people, including twenty-five children, were dead.

I was initially unsure if I wanted to read this thing. I knew how it was going to end, after all, and did I want the details in my head? However, Cook paces the story expertly, punctuating the first two-thirds with the occasional darkly funny vignette. But the ending is nothing but grim, and that’s because there’s no other honest way to tell it.

The conversational way it’s written makes it a quick read, and there are a lot of excellent quotes. Cook uses material that hasn’t been reported previously, and he does a fine job. I highly recommend Waco Rising to anyone that is interested in this topic.

The Wonders, by Elena Medel***

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Elena Medel is a Spanish award winning poet, and this is her debut novel. My thanks go to Algonquin and Net Galley for the invitation to read and review.

I am initially excited to be asked to read a work of fiction that “brings a half century of the feminist movement to life,” but in most regards, the magic has escaped me. I suspect part of this may be cultural, and/or a matter of translation, because the style is very different from North American and British novels. A single paragraph may last for pages, and there are vast swaths of internal monologue that leave me checking the page count.

And yet, there are some fine moments here. I can’t recall having seen a novel that demonstrates so decisively what happens to a woman that is not given the choice to terminate a pregnancy, or what kind of life the child is likely to have. We begin with Maria, who is completely disinterested in her baby, and almost immediately leaves her with her mother, parenting only by sending money home as she is able. She works the night shift, facing danger and harassment constantly.

Her daughter Alicia is not only disinterested in motherhood, but never develops human attachments. She takes joy in hurting other people, physically and emotionally, from an early age. She makes no true friends, and she doesn’t want any. Her character chills me to the bone.

Although it isn’t an enjoyable read for me, I recommend it to a niche audience, those that have a particular interest in international feminist literature. It will be available to the North American public tomorrow, March 1, 2023.

Unnatural History, by Jonathan Kellerman****

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Unnatural History is the 38th entry in the wildly successful Alex Delaware series. I began reading it soon after the first volume was published; When the Bough Breaks came out in 1985, so the series has been going strong for close to forty years, and very well may continue for many more. My thanks go to Net Galley and Random House Ballantine for the review copy. This book is for sale now.

For the uninitiated, Delaware is a child psychologist; Kellerman is also a child psychologist, and his earlier books incorporated his area of expertise, placing him in a subgenre all his own. I’ve wished many a time that he would write more books along these lines, but he hasn’t done a lot of it lately, and in this book,  there are only glimpses of it. Nevertheless, the story held my attention.

I’m not giving you much of the plot, because there’s a synopsis for that, but in large strokes, the story is about the murder of the son of one of the world’s wealthiest men. He’s an odd duck, not terribly bright; his mother is dead, and his father is a hands-off parent, to say the very least. Our victim has unlimited access to money, and that’s about it. He makes a splash in the art world by photographing homeless people in costumes that reflect their deepest dreams. Find a derelict street person, and find out what they always wanted to be. A pilot? A surgeon? A ballerina? Offer them the chance to be photographed as if that’s what they are now, and give them a juicy wad of cash for their trouble; then send them back to the streets where they came from.

The family structure for this strange young artist is truly bizarre; the father marries, and he fathers a child. One child, no more. Then, a couple years later, he divorces his wife and does the same thing again. The children of these unions are never introduced to one another.

Thus, Milo has plenty of meaty material to work with, and with such strange circumstances, Alex is tapped to analyze the participants.

Delaware works part time as a kiddie shrink, often consulting when there is a court case involving insurance claims or divorce. However, he still has plenty of time to work for the Los Angeles Police Department, consulting on cases where a psychologist’s input is valuable. His BFF, Milo Sturgis, is a homicide detective, spurned by others in the department because of his sexual orientation. Often as not, Delaware ends up riding along as an unofficial partner.

This aspect of the series—the almost-a-cop—is usually where things start to slip a little, when anything does. I want to buy the premise, and so I can go along with it as long as it doesn’t become too obviously unrealistic. We all want to be entertained, right? So when Alex trots out to the patrol car and slides in beside Milo, I smile and nod, and I push away the little skeptic within me that says, “But really…?”

There have been a few Delaware books that have gone sideways for me for that reason, books where Delaware puts on his Kevlar vest and packs a revolver. I am happy to say that this isn’t one of them. In fact, the manner in which these details are dealt with is one of its strengths. First of all, there are times when Milo wants Alex to go with him, but Alex is busy. He has to be in court that morning. Thank you! Then later on, toward the climax, there’s a situation that (no spoilers) shakes out in a way I find the most believable of anything Kellerman has written. It’s satisfying, without sacrificing the fun of the story.

The whodunit at the end might be the nicest touch of all.

I recommend this mystery to Kellerman’s faithful readers, and to those that love the genre.

When the Moon Turns Blue, by Pamela Terry*****

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Once in a while the odd thing happens,

Once in a while the dream comes true,

And the whole pattern of life is altered,

Once in a while the moon turns blue.

The tiny Georgia hamlet of Wesleyan is preparing to bury one of its own, and Mother Nature is preparing to cover the entire town in ice. But nobody—well, almost nobody—knows that a source of local tension is about to go nuclear, as someone is planning to topple and destroy the statue of a Confederate general in the park inside the boundaries of Old Man Griffin’s land. “The fight was just getting going good, and now somebody’s declawed the cat.”

This riveting, curiously charming and sometimes hilarious novel is the second by Pamela Terry, whose outstanding debut novel was The Sweet Taste of Muscadines. This one may be even better. My thanks go to Net Galley and Random House Ballantine for the invitation to read and review. This book is for sale now.

With the death of Harry Cline, we find ourselves at his funeral, a massively attended affair. But his wife, Marietta, develops a disabling, blinding migraine, and although they have been on the outs for years, Butter, her (former) best friend, comes to the rescue. By the time they’ve snuck out the side door of the church, we already know at least a little about both women, and now we want to know everything.

With just two novels published, Terry has already proven herself to be among the best authors when it comes to character development. Soon we’ll meet others—Marietta’s obnoxious brother, Macon and his beleaguered wife Glinda, who will have a large part in this story and is one of my favorite characters, as well as a host of others, who have smaller roles but are each so unmistakably established that it’s no work at all to keep track of them. But perhaps her finest achievement here is in creating a masterpiece that is ultimately a feel good book, despite the use of a red hot real world controversy within its pages.

I generally read several books at a time, and this one is the one that I saved for bedtime, because I wanted to be able to read it uninterrupted, and it is the one I wanted in my head when dreams came. It didn’t let me down.

This inspirational work of Southern fiction stands shoulder to shoulder with the finest classics, To Kill a Mockingbird and Fried Green Tomatoes. I wholeheartedly recommend it to you.

Lucy by the Sea, by Elizabeth Strout*****

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Lucy is a widow, and she misses her second husband, David, terribly. Her entire life, or most of it, anyway, has been marred by deprivation, cruelty, and tragedy. Then finally she meets and marries a lovely man, and they are happy together until death parts them. She thinks of him constantly. But now the pandemic has taken hold, and although she isn’t really paying attention, her first husband, William, is. William is single now, too, and he and Lucy see one another from time to time because of their two daughters, both grown now. And so in this, the fourth of the Lucy Barton books, William obtains the keys to a friend’s cabin, clear up on the coast of Maine, and he swoops in and takes Lucy away with him, away from the contagion. Just for a week or two, she figures.

My thanks go to Net Galley and Penguin Random House for the invitation to read and review. This book is for sale now.

I must confess that after reading the first two in the series, My Name is Lucy Barton and Anything is Possible, I decided to give it a rest. Strout is a literary genius, of that I have no doubt, but the stories she wrote were so grim, and her formidable authorial skill only made them sadder. I decided for my own good to walk away.

But then I was invited to read and review the third, Oh William, and early reviews suggested more joy and less wretchedness, and after I read it, I was glad I had done it. That holds true here as well, although, like Becka and Chrissy, Lucy and William’s daughters, I am a little concerned for her. But I’m getting ahead of myself.

William is more alert than Lucy, or perhaps, like so many, she has been in denial. “It’s odd how the mind does not take in anything until it can.” She is reluctant to go. A friend has died; what about the funeral? She shouldn’t miss that! The friend, however, has died of COVID19, and William tells her there won’t be a funeral. But then…what about her hair appointment? Her lunch date? Cancel them, he tells her.

The most delicious thing about the Lucy books is the depth with which Strout develops character. In fact, there’s almost no action taking place. The books are eighty or ninety percent character. So naturally, the reader that needs an intricate plot to be happy won’t find satisfaction here, but those of us—and I am one of them—that are happiest exploring rich, dynamic characters are in for a treat.

It’s a strangely nostalgic journey. So many of the attitudes and expectations that gripped us during the early days of the pandemic are in full flower in these pages, and though it’s only been a couple of years, it was such a unique period that I find myself nodding when one character or another says something that sounds exactly like me, or a family member, or a friend.

But back to Lucy and William. They were married for nearly twenty years before he ran off with someone else, and now they have been divorced for about the same length of time. When Lucy asks William why he invited her to go with him, he tells her that he wanted to save her life; but in fact, there’s more to it, and this becomes clearer as we progress. And as much as I want dear Lucy to be happy, I also want to remind her that a man that will up and leave after twenty years for no reason other than an infatuation with someone else, is unlikely to be trustworthy on an emotional level. Watch yourself, Lucy. It’s good that you’re out of the germ pool, but hang onto your heart.

As for me, I look forward to seeing how things develop; the ending leaves little doubt that there must be an Amgash #5.

Faithful readers will want to read this book; for newbies, you can read them out of order and they’ll make sense, but because Strout is building her character as we go, it’s better to read them in order if you can. And also for newbies: Lucy and William are both Caucasian Boomers, and so the most enthusiastic readers will probably come from this demographic. Highly recommended.

The Sorcerer of Pyongyang, by Marcel Theroux*****

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“How did someone created by one reality begin to operate by the rules of another?”

The Sorcerer of Pyongyang is an excellent work of literary fiction by novelist Marcel Theroux. This is the first time I’ve read his work, but it will not be the last. My thanks go to Net Galley and Atria Books for the review copy; this book is for sale now.

I am drawn to this novel initially because of its setting. Nobody sets a book in North Korea! I am fascinated. Then I learn that the author is the son of Paul Theroux, the veteran travel journalist whose work, by chance, I have only just recently found and read. So there are two reasons for me to start this book, but once I begin, I realize that in the future, I will read whatever this author writes, regardless of where it’s set or who his relatives are.

The author’s notes indicate that Theroux has experience in North Korea, and this informs his work here. This book, remarkably enough, is based on a true story.

Our protagonist is Jun-su, a child growing up in poverty in rural North Korea. He and his parents believe the official explanation for the widespread poverty and malnutrition, which is that the blockade imposed by the United States and other Western nations has created the situation. Children in Jun-su’s class sometimes fall asleep at their desks, because they are starving. Part of the school day is also spent doing hard labor for the State. It doesn’t occur to Jun-su, or to anyone he knows, to question the misery imposed upon him, because it’s happening to everyone in the village, and they don’t go anywhere or see anyone outside it, so they assume the whole nation is suffering in the same manner.

Then comes the day when Jun-su falls ill with rheumatic fever. He misses a lot of school, and his teacher, Kang, visits him at home, bringing acupuncture needles to help with the pain. It is during this time that he is introduced to a game his teacher calls “The House of Possibility,” but which is actually Dungeons and Dragons. This game will be both a blessing and a curse to Jun-su for the rest of his life.

Because the illness permanently damages his heart, Jun-su cannot participate in labor with his classmates, and so instead, he becomes a poet, and he wins a contest and briefly meets the Dear Leader. He is sent to study at an elite institution far from home, and his eyes are opened in a number of ways. Soon he sees that not only is not every North Korean impoverished, but some live lives of unimaginable luxury. The corruption has been part of his entire life, but he can only just now see that.

Theroux does a fine job of developing Jun-su, but he does an even better one with setting. We can see what a hall of mirrors is involved in living in a Stalinist nation, where no civil liberties exist and unspoken, unwritten rules prevail alongside those that are codified. For example, the Dear Leader is so exalted that a person can be in big trouble if their home burns down and they don’t rescue his portrait (and that portrait WILL be hanging in the house,) and likewise, someone that sells hot food had better be sure there are no pictures of the Dear Leader in the newspaper he uses to wrap fish.

My one concern is that the story might degenerate into an anti-Communist diatribe, but that doesn’t happen. This is an outstanding novel, and I wholeheartedly recommend it to you.

The Things We Do To Our Friends, by Heather Darwent**-***

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2.5 stars rounded upwards.

The Things We Do To Our Friends is a debut thriller by newbie Heather Darwent. Our protagonist is Clare, a young woman who’s studying art history at a university in Edinboro. She’s new and knows no one, but is soon swept up in a small, elite group of students she meets in one of her classes. Before she knows it, they are her main curriculum, and her classes become secondary.

My thanks go to Net Galley and Random House Ballantine for the invitation to review. This book is for sale now.

At the outset it’s easy to relate to Clare, who tells us her story using the first person limited. She has never lived here before, and she doesn’t have a lot of resources. She gets a job at a nearby bar, and the everyman proprietor, Finn, punctuates the story now and then with an objective take on Clare’s life and her new friends. She is soon invited to join a clique of students that are flashier, louder, and more confident than most of her classmates, and she wants desperately to become one of them. Tabitha is the ringleader, and it is she that Clare most wants to please.

The opening chapters here make me wonder if we are about to rehash Ruth Ware’s most recent mystery, The It Girl. The elements are certainly there. But there’s an undertone that builds here, teasingly referencing Clare’s unfortunate past. We don’t know much except that she’s estranged from her parents, who don’t want to hear from her.

That can’t be good.

The clique goes to Tabitha’s family home in France over the winter break, and Clare is thrilled to be included. But while they are there, she is pressured to join with them on a moneymaking venture that isn’t entirely legal. They let her know they are aware of her past, so she’d better cooperate.

Here is where the book starts to lose me. Clare is essentially being extorted, and yet her emotional attachment to the group only intensifies. At one point, she tells us that she sometimes forgets whose skin is whose, so tightly bonded are they, and in particular, she and Tabitha. But this makes no sense. Tabitha has threatened to harm her, as have the others. Why does she love them all the more for it?

More and more tidbits from Clare’s past are revealed, and yet Clare herself isn’t developed much. Neither is anybody else. We are told a lot, but shown only a little. I love books that are about character, and if there’s not much plot, I’m fine with that, but these characters are all static. At the 50 percent mark, I become impatient and skip to 62 percent; from there, I read to 72 percent, which is where things should begin to feel urgent, but they don’t. I skip again to 90 percent and read the ending. I seldom skip anything when reading, and on the occasions when I have done so, I sometimes find things when I skim the last half that convince me to go back and read it completely. That didn’t happen here. There are loose threads dangling, and plot elements that appear to have no purpose. Worst of all—and to be fair, this is probably not the author’s doing, but it rankles, nevertheless—is that this weak tale of warped humanity is billed as a “feminist page-turner,” which is what drew my interest initially, and as a lifelong, card-carrying feminist, I can assure you that this is absolutely not that.

I cannot recommend this book to you.

The White House Plumbers, by Egil “Bud” Krogh and Matthew Krogh

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Egil “Bud” Krogh was one of the men known as the “White House Plumbers,” which was a small group of operatives that dressed as tradesmen in order to illegally break into and ransack private offices for the purpose of digging up dirt on political opponents. Krogh’s job, together with E. Howard Hunt, was to lead a small team of men to burglarize the office of Dr. Fielding, the psychiatrist that treated journalist Daniel Ellsberg, in search of a way to discredit Ellsberg, whom President Richard Nixon regarded as an opponent.

My thanks go to Net Galley, St. Martin’s Press, and Macmillan Audio for the review copy and audio book. This book is for sale now.

Few people shy of the Boomer generation will have personal recollection of the Watergate scandal that brought down a sitting U.S. president for the first time, and the burglary of Fielding’s office was the first illegal event that set it all in motion. Nixon was furious that the Pentagon Papers had been released and that the U.S. Supreme Court had come down on the side of the First Amendment and the free press. Consequently, the president decided that the executive branch must go it alone, and sought a way to discredit the journalists behind it. That was how all of this came about. He howled about national security, and may or may not have believed it; or, he may have sought to cover up lies he had told to the American people about the war in Indochina, and  since he couldn’t force the publication out of circulation, the next best thing would be to persuade the public that its authors—or annotators, at any rate—were crazy and not to be believed. This background information comes from me, not from the book.

At any rate, this political memoir comes to us courtesy of Bud Krogh, and also his son Matthew, who completed it after Bud’s death. For the purpose of this review, I will use the name Krogh to refer to Bud, unless otherwise noted.

Krogh was brought into this mess by John Ehrlichman, one of the two advisors that were nearly as close as a second skin to Nixon during his time in office. Other accounts refer to both as cold-blooded thugs, and my earlier reading leads me to agree with them, but to Bud, Ehrlichman was a noble soul dedicated to his country and his president, a fine, devout individual that was like a second father to him growing up. It didn’t occur to him, initially at least, that anything he was being asked to do was corrupt or scandalous; here, I find myself shifting in my seat. Surely he must have wondered why this secret little group of men, not even government employees, were being tasked with this job, rather than the agencies that ordinarily do the cloak-and-dagger jobs? He claims that Nixon couldn’t trust FBI director J. Edgar Hoover, who was a slimy character, and that makes at least a little sense to anyone familiar with him. Yikes.

The writing as well as the accountability are uneven throughout this book. The prologue sounds sketchy to me. Those of us that have spent any time at all watching criminal trials take place is familiar with the vaguely nebulous language I see and hear at the beginning of this thing. Instead of saying that he has done something very wrong and is sorry, he says he has made bad choices, and he is sorry about “what happened.” This is the language that guilty people use when their attorney has told them to show remorse. Someone not listening carefully might think that the speaker has apologized, but they’ve actually distanced themselves from wrongdoing. During this portion of the memoir, I glanced at the text and also the device playing the audio, half expecting to see a little slime leaching from its margins.

And yet, at the end, the prose is more eloquent, and the accountability rock solid. Krogh goes to the psychiatrist in order to apologize in person, once he is out of prison. He visits Nixon to apologize to him (which baffles me, but okay.) He claims to have declined a presidential pardon. He never loses an opportunity to put on a hair shirt prior to his many speaking engagements. And so it goes.

One could surmise that the early portion was written by Krogh, and the end written by his son, but even if that is true, those speaking engagements were taken by Bud, not by Matthew, and likewise the specific apologies rendered. So who knows?

The narrator for the audiobook is Peter Krogh, who does a fine job.

If you are interested in studying the Watergate scandal and haven’t read any other books about it, this is not the one. Krogh’s involvement ended with the break-in to Fielding’s office, and he helped cover it up, lying under oath as he was told to do, but he had nothing to do with the Watergate Hotel burglary of the Democratic National Committee’s offices. In short, though famous enough to be remembered for his actions, he was not a central player. For those interested in reading just one book about this scandal, I’d go with All the President’s Men, by Woodward and Bernstein; The Nixon Defense, by John Dean; or Nixon: The Life, by John A Farrell. These are all fairly lengthy; if you are looking for something less lengthy, try One Man Against the World, by Tim Weiner.

As a general read for the uninitiated, I’d give this book 2.5 stars. For Nixon and Watergate buffs, I rate it 3.5 stars.

The Sweet Spot, by Amy Poeppel*****

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“Brood parasites, like certain birds, intentionally lay their eggs in the nests of other birds.”

Amy Poeppel is fast becoming one of my favorite authors; she wrote Small Admissions, Limelight, and Musical Chairs, and I read and loved them all. Her new novel is The Sweet Spot, and it is destined to become one of the best books of 2023. My thanks go to Net Galley, Atria Books, and the author for the review copies.

One of the aspects of Poeppel’s writing that sets her apart is her ability to create female characters that are so dynamic, so well developed that I feel as if I know them. Here we have four that span a wide range of ages and income levels, yet somehow wind up forming an unlikely sorority. The first, Lauren Aston-Shaw is an artist, and she’s in the midst of moving into a brownstone in New York City’s famed Greenwich Village, along with her husband, children, and large dog, Bumper. The boxes are only partially unpacked when she receives a mostly-delightful surprise: a prominent businesswoman and influencer has decided to place a massive order of Lauren’s handmade porcelain for her boutiques. The house is already in a state of happy chaos, and it’s about to be more so.

During a conversation with Felicity—the retailer in question, who is pregnant—Lauren makes an offhand remark, which Felicity interprets as an engraved invitation to break up the decades-long marriage of the baby’s father, Russell. Miranda, the spurned wife, learns of Lauren’s role and decides, in a fit of grief and rage, to burn Lauren’s life to the ground. Miranda, then, is our second of the four women.

Olivia, our third main character is one of Felicity’s employees. She is in her twenties, low on the management chain, but she is ambitious, hardworking, and determined to climb; that is, until she becomes a casualty of Miranda’s rampage. Olivia is also the beloved daughter of Dan, who runs The Sweet Spot, a neighborhood bar located in the lower level of the brownstone currently occupied by the Shaw family. Dan is a lovable, level-headed sort, and through his eyes, we see the drama unfolding between Lauren, Miranda, and Felicity through a more objective lens.

The novel’s promotional blurb tells us that these are the women that the story is about, but I would add one more. Evelyn is Lauren’s mother; they have a complicated relationship. But under the strain of the sudden and unexpected increase in work, Lauren reaches out and begs her mother to come assist her with the children until she has things in hand. Evelyn can only stay for a weekend; she has so many social obligations back home. And yet, a weekend grows to a long weekend, and then to a week. Evelyn is far too interesting to be considered a side character; she is our fourth main character.

Despite her despair and fury, Miranda finds herself caring for Russell and Felicity’s baby; it is supposed to be for a couple of hours, but in the solipsistic way of the wealthy and entitled, both parents depart for the West Coast without making childcare arrangements, and Lauren and Olivia find themselves also assisting as hours turn to days, and then to weeks.

This story has everything I want in a novel, and when I got a go-to-bed-and-die flu virus, I curled up in bed and spent my waking time there reading it. I’ll tell you from experience that it’s good for what ails you. The plot is deftly managed, and that is no small feat given its complexity. The pacing never flags and no balls are dropped (except possibly Russell’s.) The dialogue sizzles. But the thing that turns a good novel to a great one is Poeppel’s insight into the human condition. Her level of perception is what makes the characters shine, and it’s also what makes the entire book drop-dead funny. Lastly, Amy Poeppel is one of a very few authors that can write a feel-good story that never insults the reader’s intelligence.

Admit it. You need this book! Happily, it will be available to the public January 31, 2023, and you can pre-order it now. Highly recommended.

Everyone in My Family has Killed Someone, by Benjamin Stephenson****

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When life gets you down, it’s time to kick back and relax with a nice little book about multiple murders. Benjamin Stevenson’s nifty little mystery is just the ticket. This book is for sale now.

My thanks go to Net Galley and Random House for the review copy.

Once in a while, a novelist will disarm his audience by speaking to them directly; this is known as breaking the fourth wall. Stevenson doesn’t just chip a corner of plaster; he comes in with a wrecking ball, because that’s just the kind of writer he is. The product is as funny as the title. Each chapter is devoted to a family member, and some of them get more than one.

The premise is this: narrator Ernest Cunningham is invited to a family reunion at an out of the way mountain lodge, a ski resort in the dead of winter. The event is timed to coincide with Ernest’s brother, Michael’s, release from prison, where he was sent for…well. You know. And as is true with all families, there’s all kinds of baggage, both literal and figurative; there are grudges, guilt, and oh yes, secrets. So many secrets!

The first body turns up in less than twenty-four hours. Is there a mass murderer at large, perhaps the one in the news dubbed “The Black Tongue?” If so, is s/he a Cunningham?

The whole story is told in a jocular, familiar tone, explaining to the reader what the rules are when writing a murder mystery. He assures us that he is a thoroughly reliable narrator, which immediately makes us wonder, because if so, why bring it up? Most narrators are reliable. So…?

I enjoy reading this thing, and am impressed at how well the author juggles a sizeable collection of characters. It doesn’t take me long to straighten out who everyone is, and this may be because we are apprised of who is annoyed with whom over what, fairly quickly. When he brings in reasons why certain people avoid each other, it helps me recall who they are.

There are two things I would change if I could. The book would be even funnier if he cut back on the side remarks to the reader long enough to let us forget he’s doing it; then, when it surfaced again, it would get more laughs. I note that toward the end, he tells us—in another side reference—that his editor has suggested he pare back some of the chatty parts, and that he isn’t going to do it. That makes me laugh too, because I have been harboring the same notion.

The other thing that I’d change is a detail that distracts me. The author refers early on, and then another time later, to a plot hole big enough to drive a truck through, but he never tells us what it is; possibly the detail that distracts me is the thing he refers to. Early on in the story—so probably not a spoiler—Ernest is badly injured, to the point where one of his hands isn’t usable. Yet throughout the story, when he could go to a hospital, he doesn’t do so, and he doesn’t even address the possibility. People come; people go. Yet there’s Ernest, with an oven mitt stuck over one hand to protect it, and nobody suggests he hop into town and have it looked at. Toward the end of the story there’s a general reference to the Cunningham stubbornness preventing family members from leaving the reunion, but it doesn’t hold water with me.

Nevertheless, this is a fun book. While I was reading it, I was reading several others, but this one became the go-to at lunchtime and whenever I had a spare minute, and so I recommend this book to those looking for a light, amusing read.