Bringing Down the House: The Inside Story of Six MIT Students Who Took Vegas for Millions, by Ben Mezrich****

Suspenseful and great fun; nonfiction. My son has a good friend who has been a professional gambler for years. He doesn’t do what these guys do, though, because it’s true, you do become unwelcome once you have won too many times, or if you come in as a team.(It seems credible, too, that it might be illegal to signal someone to come join a card game at the very moment you know the shoe is loaded with face cards and aces).

It’s an exciting book to read–and I’ve read it twice–simply because it is so daring, and Vegas seems like such a powerful entity to challenge. I am glad the writer did not include all the casino names and the minutiae that others seemed to crave. For one thing, the urban topography of Vegas changes constantly. The MGM burns to the ground, is rebuilt further up the street. A couple of casinos don’t do well and go under, but then Steve Winn throws up some brand new ones…I think if the writer had become too specific with each and every casino, color scheme, manager’s name, etc., it would have become irrelevant within a year, as employees change, walls are repainted, casinos are razed to put up mega-casinos.

For the rare few, like the fellow I know, who have such brilliant memories and math skill that they always remember what each player at a table has played and how many face cards and aces have shown out of a six-deck shoe (set of cards the casino uses for its patrons), the only way to win consistently, though of course not every time, since luck is a factor, is to go and play at tables with other players, never against the house. Our friend of the family also makes it a point to order one strong drink and nurse it steadily throughout the night, so everybody else is drunk and he is sober.

This reviewer, being a liberal arts type and no kind of math wizard, spent an entire week in Vegas once and did not gamble a single penny. Saw lots of great shows, watched other people bet astonishing amounts of money…and then went out to eat somewhere awesome. I spent a lot of money, but lost none of it. But teachers are generally sensible that way.

Obviously, this book was not published because of the writer’s skill with prose, but with such an interesting story to tell, I am glad it was published. I greatly enjoyed it, and passed my copy on to a couple of friends before I sent it to a charity used-book sale. This is light reading, but also a page-turner. If it sounds like something you might enjoy, read it. Just don’t regard it as an instructional manual that will lead to great riches, unless your skills are similar to those of the folks at MIT.

Darling Jim, by Christian Moerk****

The writer makes his English novel writing debut with this book, which I snatched off a sidewalk cart for two bucks. Wow! It is, as he explains in the back pages of the book, like a Russian doll: a story, within a story, within a story, within a story, 4 plots nested inside of one another.

Some writers just start writing and see what comes out, then edit just a little. (Stephen King, a personal favorite of mine, comes to mind). But this writer begins with a 75 page outline with snippets of dialogue, all planned out carefully, before he commences writing. Truly remarkable. On top of it all, it was originally written in English, although the writer is Danish, and the story set in Ireland. (The Danish publication came out first, but the English draft was submitted first; the writer did the Danish translation himself).

If you like memoirs; ghost/werewolf/vampire stories (or at least an implication);or if you have a soft spot for the outlying regions of Ireland, where a latte is available but legends and superstitions sometimes still hold sway, find a copy of this book in whatever language you like (just about) and snuggle before the fire. Eat first, and have something to drink with you; you’ll be awhile.

Dead Little Dolly, by Elizabeth Kane Buzelli ****

  This is the first title I’ve read of this engaging cozy mystery series created around Dolly, the local sheriff of a tiny mid-western town. The setting, located in Northwestern Michigan, is original and well conceived; the pacing and transitions are deft and clearly the work of an experienced writer. Best of all are the characterizations, which are colorful and distinctive without being so wildly eccentric as to become caricatures or stereotypes.

I will admit that when it comes to cozy mysteries, I am a hard sell. I want working class protagonists, first off; no wealthy people on cruises or in drawing rooms for me (Dame Agatha Christie as the legendary, sole exception to my rule). I don’t like to see improbable individuals solving crimes that go right over the heads of the police, and I will not read a cozy mystery I even suspect may contain a recipe somewhere. If a novel needs recipes to sell, it’s not much of a novel.

Dead Little Dolly meets all of my snooty criteria. The title character, Dolly, is the sheriff of her tiny town, and has all sorts of family baggage that comes into play. Her mother abandoned her as an infant to join some religious cult in France, and now that she is a single mother, she sternly rejects her grandmother’s wish to contact said long-gone mother. I loved what Dolly had to say about her mother’s lack of responsibility and what might have happened because of it: “How’d she know I’d turn out so good?” This really cracked me up.

There are a couple of somewhat weak spots: the notion that Emily, the journalist, must keep news of our crime prominent in the local press “to keep the pressure on” is nonsense. When this is done, on whom is the pressure supposed to be placed? On THE POLICE. In this case, the police–a force of one–is the victim, and already highly motivated to solve the crime. Are we seeking the assistance of the FBI? No. There is no basis for it, and it is not mentioned. So this particular chunk of motivation is weak.

However, the story is so riveting and such great fun that I was ready to overlook that bit, and indeed kept reading well past my bedtime.

A particularly delicious secondary plot was the coming nuptials of an 80-year-old bride. Her mother had been against the match, and they had waited till her death to wed. The old bird lived to be 101 years old, and now a certain amount of haste was required to give the newlyweds a maximum period of wedded bliss. (I confess this made me think a bit of my favorite aunt, who was widowed at 30 and remarried at 70.)

Dead Little Dolly is a good fun romp, exactly what the doctor ordered when you need a beach read or a little something to take your mind off of your own worries. If you enjoy a good cozy mystery, this one is highly recommended.

Kinsey and Me: Stories by Sue Grafton *****

This wonderful collection is quirky, but not only in the manner in which the now-immortal Kinsey Millhone is quirky. I suspect it’s the closest Grafton will ever come to writing an autobiography or memoir, and what little of it is here, is very brave stuff. As we approach the time of life in which Grafton now finds herself, it’s good to do some looking back, figuring out why we did some of what we did, and also coming to terms with some of the less lovely things we went through.

The introduction is expository in nature, and it’s very good. It is the first time I’ve seen it spelled out, what the distinction is between mystery, detective fiction, and crime fiction. In addition, she speaks to the ways in which short stories differ from novels within her genre. She makes it crystal clear and wraps it up with a bow. No droning lecture, but of course, that isn’t Grafton’s style; not ever. She also attempts to differentiate herself from her character. When she says Kinsey is who she might have become had she remained single and childless, I believe her. When she says that mischievous sense of humor is Kinsey’s rather than her own, I don’t believe it for a minute. But it’s a very fun read, one of the most interesting introductions I have ever read.

The first section consists of some Kinsey short stories that were written, some of them published in magazines, prior to the takeoff of the alphabet series. They are every bit as good. I am very fond of collections and anthologies, because they give me permission to put the book down at some point and go do something else…sleep, for instance. Though shorter, they are every bit as good as her longer work.

The last section is one that Grafton says was created largely from her own effort to come to grips with her own past as the child of two alcoholic parents. I think somewhere along the line, every really prolific reader hits a piece of writing that unexpectedly punches them in the solar plexus, leaves them staring disbelieving at the page saying, “Aw, holy shit, I totally did that too!” This was one of those moments for me. I have read thousands of books and had moments like this one maybe three times. It won’t be the same for you, most likely, but if you are a fan of Grafton’s, it is still worth reading. There follow some stories that are not humorous, but strong writing nevertheless.

Because she so effortlessly switches hats so many times in this one volume, first providing us with the most informative, most accessible, best written overview of the genre I have come across; then offering some brief personal notes about herself; then giving us the detective humor that we have come to know and enjoy; then writing briefly and more soberly about her own past; and then breaking out the stark, somber short stories that caught me by surprise, she underscores exactly what a serious, bad-ass writer she is. She is not just a writer of funny detective stories, though I consider those books to be excellent literature, and I love them. She is a scholar, and I can’t help wondering if that wasn’t a good part of the reason she put this volume together in the twilight of her career. We must regard her a serious writer, a woman of great talent. That’s what she is.

A Bad Day for Sorry, by Sophie Littlefield*****

abaddayforsorryWhat? Five stars for this, a beach-read type novel? Well yes, because I think it is among the best in its genre. This darkly hilarious tale is really strong. It’s well paced and has enough quirkiness to be endearing without seeming overdone or contrived.

How many women out there have been subjected to domestic abuse? In talking with friends old and new, parents and students, colleagues and neighbors, I am amazed to see how many women go through it. It takes different forms; sometimes it is they who have been abused, and sometimes they learn, to their horror and sometimes guilt (for not having picked up on the cues), it is their children.

Domestic abuse is never funny.

The reason this story works is that it takes the inner vigilante that lurks within the hearts and minds of those who have been abused or love someone who has, and it plays out all sorts of revenge fantasies that in real life just can’t happen. This first in the series was nominated for all sorts of awards, and the competition must have been stiff or it would have won.

You can win, if dark humor appeals to you as it does to me, by getting this well-crafted spin and reading it.

How to Tell Toledo from the Night Sky, by Lydia Netzer *****

  Imagine a complete collection of the Great Books. Add in all those that have won Pulitzers and the National Book. Do you see room for one more? If not, you’ll need to grab the title you never really thought belonged in this collection and toss it. Now, go ahead and slide this title in there, because it is where How to Tell Toledo from the Night Sky belongs.

The story is about a pair of astronomers who were meant for one another on a whole lot of levels, but if, like me, astronomy bores you, this wonderful, quirky romance won’t. It contains a number of story elements that don’t usually appeal to me; the presence of a very unscientific sort of clairvoyance is one that usually causes me to close my book abruptly. This time, the story had me from hello, and it was going to take a lot more than that to turn me away. In the end, I didn’t want to.

I received my copy electronically via Net Galley in exchange for a review. I’ve read and written about dozens of free books either there or via the Goodreads first reads program, and I have never suggested that any other book was worthy of a place among the timeless classics by which we define ourselves as a society and pass down to our children. I’ve read some really good books, but I haven’t read one this great in years.

The suggestion that ancient Babylon was once where Toledo is seems a bit cheeky in some ways; typically American to assume it must be here somewhere. Those who hail from other countries won’t find it nearly so disturbing, I imagine, as will New Yorkers. But for our story’s purpose, the setting shouldn’t be anywhere except Toledo.

Irene, the protagonist, returns to Toledo from her position in the south to take a prestigious position. She also arrives in time to deal with her dead mother’s remains and clean out the house.
From there, nothing takes the trajectory that Irene has anticipated. A warm story that manages to be sentimental yet never maudlin, it pulled me in and I had to stay with Irene once I hit the halfway mark. I never thought once about character development, plot plausibility, pacing, transitions, or anything else. And once I was done, all I could think of was who else I should buy it for.

Don’t miss it. 

The Nanny Diaries, by Emma McLaughlin and Nicola Kraus ****

  This was an awesome vacation read. I got it (as often happens) purely by chance, and I found it hugely entertaining.

This is written by two actual former nannies who have removed all the names and created a sort of amalgam of the typical “Type A” nanny experience. I was fascinated by the coded language that makes the very rich able to look themselves in the mirror every morning and value themselves for doing absolutely nothing, including take care of their own child, at all, ever, despite his or her desperate needs, and their capacity to utterly dominate the lives of their servants, even when clear boundaries have been initially set as to times they are supposed to be working.

It sounds like a nightmarish story, and in some ways it is at its most dreadful peak, but it is put together with such wry, deft storytelling that one feels one is at a slumber party getting the juicy tale rather than being dragged through the muck by the overly entitled wealthy New York jet set. I found myself going to sleep later and later on my trip because frankly, who could put it down?

I can’t give it the fifth star, because I am one of those finicky reviewers who has to limit that category to literature that is amazing, either in its timelessness or occasionally, because it made me laugh sooo hard, or actually changed my world view. But what this is, is a really fun romp.

And for those of you on this site while your nanny is keeping your child from making any noise in the house or touching any furniture outside his or her room…go be a parent!