David Joy is a brilliant writer. His stories, set in the Carolina mountains that he calls home are resonant, visceral, and always about believable characters that hail from the hardscrabble working class. Those We Thought We Knew is his best. My thanks go to Net Galley and Putnam Penguin for the review copy. This book is for sale now.
Sylva, North Carolina is the sort of insular, homespun community that you don’t see much of anymore. Everybody knows everybody, not only by name but by family, religion, and a host of salient details that form their backstories. There’s not a lot of traffic in or out of Sylva, nestled as it is in a hollow of the mountains. Now, however, two newcomers have arrived, but they aren’t together. Surely not. One is a lowlife vagrant, a pencil-necked, mullet-headed, greasy drunk in an ’84 Caprice named William Dean Cawthorne. When the sheriff’s deputies roust him, one of them finds a small notebook that contains some surprising names; he also has a long, white robe in the car, and with it, a conical white head covering with eyeholes in it. Mr. Cawthorne, you see, is a recruiter for the Klan.
Toya Gardner comes to town at about the same time to visit her grandmother and work on her thesis. She’s a graduate student from Atlanta; she creates meaningful African-American sculptures and other art works. But when she finds the statue of the Confederate soldier in the town square, she is inspired to make a different artistic statement than she’d originally planned, and when she does, all hell breaks loose.
This searing story sees two terrible crimes unfold in sleepy little Sylva. The dynamics that exist between the county sheriff, the Sylva police force, and the local citizenry—particularly Toya’s family—are rich and complex, and they showcase Joy’s best character development to date. In the end, we must concede that alongside the horrors represented by overt white supremacists, the more chilling may be that which simmers below the surface of men and women that, yes, We Thought We Knew.
This is brave writing. Joy will no doubt be the subject of some unfriendly attention because of it. My hope is that it draws the accolades that it deserves from those that seek true social justice, and that it will inspire useful, critical introspection and conversation on the part of its readers.
Highly recommended.

