Vigil, by George Saunders*****

George Saunders is a luminary in the world of literary fiction. His latest novel, Vigil, tells the story of Jill Blaine, also called “Doll,” a formerly alive person who’s now tasked with escorting dying souls on Earth to their next destination.

My thanks go to NetGalley and Random House for the review copy. This book will be available to the public January 27, 2026.

Ms. Blaine, our protagonist, has been tapped hundreds of times to transition the dying to their next stop, but this time it’s different. Others needed to be comforted and consoled; KJ Boone, however, does not. He’s an oil company executive that has oh, so much for which to atone, but he doesn’t see it that way. Boone has more self-esteem, more rampant self-regard, than almost anyone else on the planet. So, in one sense, Blaine isn’t really needed, and yet she is.

Saunders writes some of the most whimsical prose I’ve read anywhere. This novel isn’t getting as much love from some other reviewers, and when I read what they have to say, a bit puzzled by the lukewarm responses, I see why. Saunders has written other books, in particular, two other massively successful novels, Lincoln in the Bardo and Tenth of December.  To reviewers that read and loved either of these, that is the standard to which he will forever be held. I have no such outsized yardstick by which to measure this writer. Both of those books are in my queue, but I haven’t read a word of either one yet, so I measure his novels by the same yardstick as I use for every other author, and frankly, that seems fairer to me.

Therefore, when Jill Blaine plummets to Earth headfirst and sinks nearly to her waist in the dirt, feet sticking up, then has to pull herself back out, I read it and laugh like hell.

I won’t give any of the plot away; this is a short book, after all, and you deserve to be surprised by everything that takes place inside it. However, in addition to its original and vast humor, the story examines some philosophical questions. What do we owe the world and its people? What is chosen, and what is inevitable? Humor is a great way to explore these issues, because we are confronted with them while we’re in a relaxed state; we don’t become defensive before a question is even asked.

Highly recommended to those that love fantasy and philosophy and can use a good, hearty laugh.

Liberation Day, by George Saunders*****

Liberation Day is a collection of the best short stories you will ever encounter. I had never read George Saunders before, but when I received an invitation from Random House and Net Galley to read and review this book, I remembered him by reputation and jumped at the chance. This book is for sale now.

Sometimes I feel conflicted when I see words like “Booker prize winner” and “exquisite” I feel torn. The book may be brilliant, but it also may be a whole lot of work to read. I am happy to report that is not the case here. Every one of these nine stories could serve as the cornerstone of a collection; the title selection is first, but I suspect that is more about length than anything, as it approaches novella length. It’s science fiction but also vaguely political; a group of people have had their brains scrubbed to near emptiness, and they are mounted on a “speaking wall.” Their sole purpose is to provide entertainment as a sort of scripted Greek chorus. They may only speak upon command; they assume this is a good arrangement, because they have no memories of their prior lives. But then the home (and Speaking Wall) owners are visited by their adult son, who concocts a scheme to liberate the speakers.

Many of these stories have stylized prose and invented words that might be difficult for a reader whose first language isn’t English.  “Mother’s Day,” which is one of my favorites, begins:

“This distinguished-looking gentleman would appear at your door somewhat sloshed and ask, Were your trees slaggard? Were they gublagging behind the other trees? Did they need to be prodderated? And hold up the little device. In this way they had nearly lost the house.”

Happily, for underconfident readers, there is an audio version available. I used it part of the time because I was running behind. There’s a different narrator for each story; actor Tina Fey does one of them! My notes are full of praise for these performers, who make a brilliant book even more so.

I especially enjoyed “The Mom of Bold Action,” which features the ultimate unreliable narrator, and my absolute favorite, “Ghoul”. Imagine, if you will, landing in Hell, or its amusement park equivalent, but there are still rules of etiquette to be observed; in particular, you are expected to be positive, and constantly encourage the other ghouls as they commit the ultimate misdeeds assigned to them. I laughed so hard at this one that it made my family a little cranky, and I had to go off by myself to hear the rest. Worth it.

The stories are a mixed bag in terms of genre, and all are outstanding.

Highly recommended in whatever format makes your heart happy.