Lisa Lutz is best known for her series, The Spellman Files, which I confess I have not read or watched on television. I came to this stand-alone story brand new, and can tell you that it’s fresh and original, a real kick in the pants. Thank you Simon and Schuster, and thank you too, Net Galley, for the DRC. I picked this thing up and then hardly put it down, but my review had to wait awhile in order to be within the courtesy-window of no more than three months from publication. And it gave me some time to think.
Here’s our premise: Tanya Pitts is a married woman until her husband, Frank, falls down the stairs and dies, and then she is a widow. We don’t know if he had a heart attack; if he tripped and hit his head or broke his neck; all we know is that Tanya is innocent of killing him. Yet instead of staying put, phoning 911, and sitting back to collect the life insurance and either keep the house or sell it, she chooses to run. Now why would she do such a thing?
Soon we learn a little more. The problem is that Tanya is not Tanya. She won’t stand up to a thorough vetting, which the police are likely to pursue as due diligence. Soon she becomes Amelia, but that’s not who she is either. We get tantalizing little bursts of memory and the occasional unwise-but-addictive e-mail sent to someone from her real life. As the story progresses, we get the sense that she must have done something pretty horrific in order to be so obsessively unknowable, so carefully, fastidiously disguised.
There were several times when I thought the protagonist did things that were stupid for a woman on the run, but we learn, over the course of time, just how young she really is. By the end of the story, her various dumb mistakes make total sense, because very young people, especially when tossed out into the breeze without much of a parachute, do make a lot of mistakes they won’t repeat when they are older and smarter.
While she is trying to bury herself as Amelia Keen, former-Tanya meets a barkeep who goes by “Blue”. Blue takes her in for awhile; it seems Blue has a secret or two of her own. This section absolutely crackles, and is reminiscent of Thelma and Louise for a time. When she is cornered by a terrifying man referred to as “The Accountant”, a guy with a gun, an equally nasty partner, and a cold hard gaze, Blue comes to the rescue and she wants answers in exchange.
“’You have a few enemies, don’t you?’
‘Guess so.’
‘Considering I just committed a double murder for you, I think an explanation is due.’
Blue gives her a new identity and sends her packing, and so Amelia-now-Debra is on her own again. The plotting is so taut in places that in one place, when she jerks her car back onto the switchback mountain road just before it goes over a cliff, my notes to myself simply say, “Shit!”
The quality of the novel is a trifle uneven, and this is why the fifth star, which looked like a slam-dunk for the first third of the story, is denied. But I loved the start, and I loved the ending. In fact, I loved almost all of it. There were some logistical glitches in the Wyoming portion of the story, in particular with regard to the private school where she passes herself off as a teacher for a time that makes a portion of the story just not work. It’s the writer’s misfortune, perhaps, to be reviewed by a teacher, but there are so many of us out here, and we sure do read.
That said, our protagonist has a tendency to shift her location quickly, and so before long, this problematic passage is in her rearview mirror, like just about everything else. And in no time, the author is back on rock-solid ground.
The ending left me with my jaw on the floor, and it will probably do the same for you. When this nifty psychological thriller hits the shelves March 1, you will want to have your copy already ordered. What a great way to forget the nasty chill of late winter.
Do it.
Brash Books has a new release, and it’s exactly the kind of novel you’d want to take to a warm sandy beach, or perhaps just to curl up with while the snow falls. I was permitted an advance glimpse, courtesy of Brash Books Priority Reviewers Circle. It was originally published in 1997, but due to be released again February 23, 2016. You’re in for a good time with this one.
Sarah and Jack Quinlan are called to his family’s home in Penny Gate, Iowa when Jack’s aunt is in a serious accident. Julia is not just any aunt; she has been his surrogate mother following the death of both his parents in a car accident. At least, that’s what he tells Sarah. But as she soon finds out, she has been misled about Jack’s early life; in fact, she’s been lied to. What she has to find out on her own is where the lies end and the truth begins.
Breakdown is #31 in the Alex Delaware series, and Kellerman’s long-running series still has plenty of gas left in the tank. The premise this time is that six years ago, Delaware was called in to evaluate the parental fitness of a mother; custody issues have become his bread and butter, done on a case-by-case basis. The boy’s mother, Zelda, was an actress plagued by mental health issues, but seemed to be doing a competent job of raising Ovid. The actress’s psychiatrist wanted to be sure, so he called in Delaware to spend time with the child in question. Now things have gone downhill, and the psychologist that treated Zelda is dead. Zelda isn’t doing so well herself.
This book is the fourth in the series featuring Peter Bragg; the series was nominated for the Edgar Award and twice for the Shamus Award. I’ve read three others in the series already, so imagine my delight when I located this book, formerly published as Sausalito, among the DRC’s offered by Brash Priority Readers Circle.
I was already a Barbara Neely fan when I received this DRC, courtesy of the Brash Priority Reviewers Circle, in exchange for an honest review. I’ve been reviewing books for Brash Books and others for the past couple of years, and had read three other Blanche White mysteries out of order, so when I saw that the first in the series—which I think was the only one I hadn’t read yet—was up for grabs, I nailed it right away. It’s available for purchase now.
“What is it with this town?”
Here’s the short version: she’s done it again! Janet Evanovich’s latest Stephanie Plum novel was one of only three titles on my Christmas wish list. I get most of my books free prior to publication, and the rest I can generally find at the library. But I wanted this one hard, and my eldest son came through. And for the first 36 pages, I thought our writer had lost her magic. Turns out she was just warming up; my first laugh was on page 37, but most of the fall-down-funny moments take place during the last third of the book.
Alien Blues, the first in the David Silver series, was originally written in the 90’s, when I was busy returning to school, having my fourth child and raising the first three. I mention this only because I am dumbfounded that I missed this amazing series the first time around, and that’s the only possible reason; I was too busy trying to find a few minutes in which to sleep back then. Thank goodness Open Road Integrated Media has re-published it digitally. After reading and being really impressed by Flashpoint, another of Hightower’s terrific novels, I searched Net Galley for anything else she had written that was available to read and review, and I scored this little treasure. It’s a brave, bold genre cross of detective fiction and science fiction, and if I can read the others in the series, you had best believe I will.
Chris Pavone is rapidly becoming a huge name in the psychological thriller genre. He is king when it comes to suspense; I was lucky enough to read the DRC for The Accident, his very successful mind-bender that came out in 2013. I was impressed enough by it that I also picked up his first novel, The Expats, on my annual pilgrimage to Powell’s City of Books in Portland. And so when I saw this little gem dangling on Net Galley, I wanted it right away, because Pavone had already shown me twice that he is a strong writer. Thank you Net Galley and Crown for the terrific read; I got this free in exchange for my review.